Renaissance music

Os cantores na administração nos reinados de D. Manuel I e D. João III

Renaissance music

DE ANDRÉ, Clóvis. Processos de solmização …. In- I Simpósio Nacional de Musicologia e III Encontro de Musicologia Histórica, Pirenópolis, GO, 2011. Coordenação por Sônia Ray. Anais… p. 217-223.

Music Theory / Medieval Music / Renaissance music / Music Performance / Music Pedagogy / Musica Ficta / Music and Rhetoric / Solmization / Musica Ficta / Music and Rhetoric / Solmization

A flauta doce no Renascimento: instrumentos, conjuntos e repertório

Renaissance music / Recorder / Recorder repertoire

Silvestro Ganassi e o conceito de ut pictura musica na primeira metade do século XVI

Italian Renaissance Art / Renaissance music

A FONTEGARA DE SILVESTRO GANASSI E A TEORIA DAS PROPORÇÕES NA ÉPOCA DE ANDREA GRITTI (1523-1538).

Early Music / Italian Renaissance Art / Renaissance music / Recorder

A prática da diminuição nos madrigais renascentistas: uma abordagem prática e teórica a partir da concepção de um concerto. / The Practice of Diminution on Renaissance Madrigals: a Practical and Theoretical Approach after the Conception of a Concert

Performance / Renaissance music

Estudo comparativo de publicações de época dos motetos Magnum haereditatis mysterium de Willaert

Renaissance Studies / Italian Renaissance Art / Renaissance music / Gregorian Chant / Polyphony / Adrian Willaert / Renaissance Ferrara / 16th-Century Polyphony / Musical Analysis / Motets / Análise Musical / Gregorian Chant and Renaissance Polyphony / Text Underlay / Adrian Willaert / Renaissance Ferrara / 16th-Century Polyphony / Musical Analysis / Motets / Análise Musical / Gregorian Chant and Renaissance Polyphony / Text Underlay

Lira da braccio

Organology / Renaissance music / Iconography (Music) / Musical Instruments / Musical Iconography / Lira Da Braccio

Revista de Musicología, vol. 36, núms. 1-2 (Madrid, 2013). 489 pp. + Editorial (pp. 11-14)

Chamber Music / Baroque Music / Renaissance music / Spanish Music / Historiography of Music / Hispanic Studies / Zarzuela / Hispanic Studies / Zarzuela

Revista de Musicología, vol. 38, núm. 1 (Madrid, 2015). 377 pp. + Editorial (pp. 11-14)

Nobility / Latin American Music / Renaissance music / Piano Music / Historiography of Music / Music Archaeology

Revista de Musicología, vol. 38, núm. 2 (Madrid, 2015). 403 pp. + Editorial (pp. 389-391)

Plainchant / Baroque Music / Renaissance music / Instrumental Music / Historiography of Music / Eighteenth-Century Music / Zarzuela / Eighteenth-Century Music / Zarzuela

Leonardo da Vinci as a musician

Organology / Renaissance music / Leonardo da Vinci / Organología

Programa XVI Festival de Música Antigua Úbeda y Baeza (2012) [Paisajes sonoros urbanos]

Early Music / Music History / Festivals and music / Soundscape Studies / Urban Studies / Baroque Music / Medieval Music / Renaissance music / Soundscape (Music) / Spanish Music / Hispanic Studies / Cities / Early music and historically informed performance practice / Baroque Music / Medieval Music / Renaissance music / Soundscape (Music) / Spanish Music / Hispanic Studies / Cities / Early music and historically informed performance practice

Revista de Musicología, vol. 39, núm. 2 (Madrid, 2016). 416 pp.

Early Music / Nineteenth-Century Music / Twentieth-century Music / Baroque Music / Latin American Music / Renaissance music / Spanish Music / Book of Lamentations / Musica, Guitarra / Musicology, Spanish Music Historiography / Centre-Periphery Relations / Pyrénées / Cathedral of Málaga (Spain) / Codex Calixtinus / Villancicos / Avant Garde Music / Cristóbal de Morales / Archeology / Sociedad Española De Musicología / Renaissance music / Spanish Music / Book of Lamentations / Musica, Guitarra / Musicology, Spanish Music Historiography / Centre-Periphery Relations / Pyrénées / Cathedral of Málaga (Spain) / Codex Calixtinus / Villancicos / Avant Garde Music / Cristóbal de Morales / Archeology / Sociedad Española De Musicología

O PATHOS NA MÚSICA DO TARDO-RENASCIMENTO – NACHLEBEN DER ANTIKE E CONSTRUÇÃO DE MEMÓRIA (Late-Renaissance Music Pathos – “Nachleben der Antike” and the construction of memory)

Early Music / Early Modern History / History and Memory / Renaissance Art / Early Modern Europe / Social and Collective Memory / Cultural Memory / Early Modern Intellectual History / 16th Century Counterpoint / Italian Renaissance Art / Early Modern Italy / Nachleben / Renaissance music / 16th Century Italian Art / Aby Warburg / Renaissance Ferrara / Maneirismo / Giulio Romano, Maneirism, Maneirismo / Late Italian Renaissance music, 20th-21st c. music / Nachleben der Antike- Denkraum-Pathosformeln-Burucúa / Renaissance Florence / Pathosformeln / Aby Warburg. Mnemosyne-Atlas / Camerata De' Bardi / Ferrara Estense / Pathos Formula / Giulio Caccini / Late Italian Renaissance Music / Camerata Fiorentina / Renaissance courts of Mantua, Ferrara, and Florence / Walter Benjamin, Aby Warburg, Esthetics / aby warburg; cast collections; Antiquity / Social and Collective Memory / Cultural Memory / Early Modern Intellectual History / 16th Century Counterpoint / Italian Renaissance Art / Early Modern Italy / Nachleben / Renaissance music / 16th Century Italian Art / Aby Warburg / Renaissance Ferrara / Maneirismo / Giulio Romano, Maneirism, Maneirismo / Late Italian Renaissance music, 20th-21st c. music / Nachleben der Antike- Denkraum-Pathosformeln-Burucúa / Renaissance Florence / Pathosformeln / Aby Warburg. Mnemosyne-Atlas / Camerata De' Bardi / Ferrara Estense / Pathos Formula / Giulio Caccini / Late Italian Renaissance Music / Camerata Fiorentina / Renaissance courts of Mantua, Ferrara, and Florence / Walter Benjamin, Aby Warburg, Esthetics / aby warburg; cast collections; Antiquity

O ideal poetico de Carlo Gesualdo um estudo sobre as escolhas poeticas do compositor

Musicology / Renaissance music / Choral Music / Carlo Gesualdo

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